Thoughts on the Tao Te Ching 19

                                                                              19

Throw away holiness and wisdom,

and people will be a hundred times happier.

Throw away morality and justice,

and people will do the right thing.

Throw away industry and profit,

and there won't be any thieves.

If these three aren't enough,

just stay at the centre of the circle

and let all things take their course.

Commentary

The Tao Te Ching, like all serious books of wisdom, works by way of paradoxes and the setting up of oppositional tensions between ideas.  Why? Well, quite simply, wisdom, like truth,  is "rarely pure and never simple.” (That quotation on truth comes from The Importance of Being Ernest by Oscar Wilde).  John Keats implies this same understanding when he says that we humans must make sense of life's deeper mysteries by what he termed a process of "negative capability" that he described quite paradoxically as that attitude of mind "when a man is capable of being in uncertainties, mysteries, doubts, without any irritable reaching after fact and reason."  One could say that this encapsulates something similar to what Eastern spiritualities and practices, especially Zen, mean by the practice of contemplating koans.

Sand on Donabate Beach, summer 2015

With that simple introduction, let us reflect on the above stanzas of Poem 19.  Holiness and Wisdom which parade themselves as proclaiming the answers to big questions are mere sham and pretence.  Real wisdom and holiness don't parade themselves in front of others and belong to a natural and real humility.  Morality and Justice, when likewise paraded before others inasmuch as they signal a superficial application of both virtues, are also mere sham and pretence.  A society where "industry" and "profit" are all that count will inevitable invite more people to commit crime out of sheer frustration at being at the bottom of the heap.

The writer of these stanzas calls the reader back to the centre point or the still point of being where the meditator, the contemplator or the disciple will achieve a state of equanimity, an attitude of mind that is untroubled by life's vagaries.

I will finish this brief post with my usual invitation to the reader to reflect on the above stanzas in a meditative way and allow a phrase or word from those stanzas to stir the spirit within.  Happy meditating.

NAMASTE

Thoughts on the Tao Te Ching 13

Poem 13

Success is as dangerous as failure.

Hope is as hollow as fear.

What does it mean that success is as dangerous as failure?

Whether you go up the ladder or down it,

your position is shaky.

When you stand with your two feet on the ground,

you will always keep your balance.

What does it mean that hope is as hollow as fear?

Hope and fear are both phantoms

that arise from thinking of the self.

When we don't see the self as self,

what do we have to fear?

See the world as your self.

Have faith in the way things are.

Love the world as your self;

then you can care for all things.

Reflections

These poems from the Tao Te Ching are designed to make the reader or indeed listener (as in those ancient times when these lines were written oral cultures abounded, as only the very rich or people of status were able to read) think; to snap the person into a state of wakefulness or awareness.  Koans, which can be in the form of a story, a question, a statement or even a dialogue, were traditionally used in Zen Buddhism to provoke the disciple into a deeper awareness or a keener sense of wakefulness than heretofore.  In this way, the student's progress in Zen practice was tested. To my mind, the poems in the Tao Te Ching share in that purpose, namely to test and to deepen the student's progress in wisdom. The above poem is quite koanic (if this word exists) or koan-like  in this regard. 

Objectivity

All meditative practices allow us to withdraw a considerable distance from our own ego or from our obsession with self, from our egocentricity.  If we can arrive at this stage of personal or spiritual development, we have become more objective about ourselves and are less likely on the one hand to swell up with pride when we are praised by another or on the other hand retreat in failure into gloomy despair when criticized.   In that sense we can meet success and failure in our stride and not be too overcome in either an overly positive or overly negative sense.  Another way of stating these objective sentiments would be by making the paradoxical or koanic statement that "success is a dangerous as failure."  Once again, it's a question of not clinging onto or obsessively desiring those allurements or charms of the ego.  In that sense, success can be dangerous to our discovering real happiness, which lies in discovering the real or true self that is hidden behind all the empty promises of our ego-ridden society.  Failure can be crippling to the ego and reduce it to a state of not being able to do this or that.  We want to keep the ego in a healthy place in our psyche, and we certainly don't want to cripple it.  In fact, when we learn to give it its proper place in the psyche, balanced well astride the super-ego and id, then we can function confidently in life.  We have to learn to be ruthlessly objective and never allow our failures to have any negative effect on our real and true selves.  This takes some work in both personal development and on-going meditative practice to achieve. 

Our Taoist poet tells us also that "hope can be as hollow as fear."  In other words, the poet is telling us that unfounded fear or anxiety can reduce a person to an ineffective and passive on-looker rather than an active participant in society.  Unfounded hope can be mere wishful thinking and lead us into despair.   

Stanza three is pure koan and will only yield up a little of its wisdom after meditating upon it many times.  Therefore, I am offering no explanation here, or attempted explanation even, as I have to humbly, like Socrates, admit my ignorance.  What I will do is meditate and pray on it and leave it to the great Unconscious (or God, or Meaningfulness, or the spirit of life or whatever you wish to call it) to offer up some suggestive answer.

It is also my opinion that the Taoist poet uses the "self" in two differing ways in this poem. Stanza three seems to suggest that when we go beyond the self, or beyond being preoccupied or even concerned with self that it is only then that we have nothing to fear.  Stanza four recommends, in a rather contradictory sense, that we must see all things in the world from the perspective of the self that it is only then that we can really love everything and everyone. This last stanza, then, is in the tradition of Jesus' famous command to his disciples to love their neighbour as themselves.

John Keats: 1795 - 1821

However, as we all know by now, it is in the tradition of Taoist wisdom, as it is in that of Zen Buddhism, to hold the two opposites in a polar tension or union.  Therefore, as readers of this beautiful Taoist poem, we are happy to remain in a state of what the famous ill-fated wonderful Romantic poet John Keats called "negative capability," a term he coined himself for the learnt ability in the human mind to balance opposites and hold them thus "without any irritable reaching after fact and reason." (see Negative Capability)

Conclusion:

One again, by way of conclusion, I invite the reader to read reflectively through the above Taoist lines and let a word or phrase spark a mantra for a five or ten minute meditation.

Journal of a Soul 66

The Futility of Obsessional Searching

Galicia, Spain, not far from Allariz

Having observed at close quarters an ASD pupil who suffered from severe OCD was a great lesson for me in my life's journey.  Having encountered others since who have relatives with this mental ailment further convinces me of how disabling any form of obsession can be to us as individuals. Prior to this I was well used to encountering people and students with hosts of other problems from depression to schizophrenia, from anxiety to panic attacks and so on, and I knew how these were very crippling - indeed I have written many times in these pages and others about my own diagnosis of clinical or endogenous depression at the age of forty.  But the obsessional lesson, if I may be so bold as to call it that, was particularly enlightening.  At this juncture in my life as a 56 year old Special Needs Teacher, with a background in philosophy, theology and counselling as well as in the usual more academic subjects - Mathematics and Languages - I have been searching for the truth of who I am for longer than I care to remember. Every time I look back over my progress over this earthly pilgrimage I constantly observe that it was often during those periods when my search was most intense that the "answers" or at least the consolations were always surprisingly few, and that it was the times when I was not pushing myself so hard and so obsessively for answers that the so-called "answers" and consolations were surprisingly more.  As a writer I often find that this is also the case with inspiration - the muses come to us when they wish, in their own time as it were, and often don't come when we are obsessively searching for them.

Stream of Consciousness:

All too infrequently I do a written exercise in stream of consciousness composition where I just let the words roll onto the page without either censoring them or using any form of punctuation.  Punctuation would obviously be a way of hindering the flow as it would  be an obvious shaping or ordering of the words.  Those of my readers who are into literature will know that our great and wonderful Irish author James Joyce was a master of this technique. I was taught it several times over the years at various creative writing classes I attended. However, to cut to the chase here, let me add a brief extract from my most recent stream of consciousness exercise:

some flowers will appear like lotuses from the muck and gunk and bilge and all that slime and all that slime and somewhere deep within it there will be something fine formed like a poem coming to birth coming to a shape forming forming from all those Freudian depths from that cesspit from which rises the Self like some exotic phoenix (see Stream )

It would seem that everything is grist to the mill for a writer or shaper of words, indeed for any artist at all.  Furthermore, everyone is an artist in the sense that they are the shapers of their own lives, of their own Self. We have to learn to be unobsessive shapers of our lives, that is, we definitely have to learn to mould and shape our lives but we have to learn to do so in an unobsessive manner, that is, not in an obsessive manner that could certainly cripple us in our pursuit of real happiness.  That's the sense behind the quotation above from my recent stream of consciousness, that the Self does rise like an exotic phoenix if only we would learn "to go with the flow" of life and learn to tap into its overall energy.  Shaping our lives means going with the flow, pushing with the energy of life, not pushing against it. We certainly have to work and shape, mould and form our lives, often with the sweat of our brow, but always by going with the flow of the energy around us.  Obviously, this is never ever a sense of aimless drift - the exact opposite to what I am talking about here. Going with the flow is never the easy way out. It requires a level of honest effort, too.

Going with the Flow

Here I wish to say a little about the contemporary psychologist and psychotherapist Mihaly Csikszentmihalyi.  He discovered that we find genuine satisfaction during a state of consciousness that he called simply "Flow". In this state we are completely absorbed in an activity, especially an activity that involves our creative abilities. During this “optimal experience” we feel “strong, alert, in effortless control, unselfconscious, and at the peak of their abilities.”  Here, in the footsteps of Abraham Maslow, Csikszentmihalyi insists that happiness does not simply happen. It must be prepared for and cultivated by each person, by setting challenges that are neither too demanding nor too simple for ones abilities. The Pursuit of Happiness (see Here) website gives as an example of flow an advanced skier's conquering of a difficult slope.  We might add any other skill we have learnt, even typing these few words on my laptop.  We have to put in the effort obviously, and then allow ourselves to tap into the energy that's out there to enliven us.  Of course, going with the flow can involve all the simpler exercises like good conversation, listening, encouraging, helping, being compassionate, joining in the fun, playing a game and so on.  However, the major point here is that it is never a lazy drift that will lead nowhere.

Cziksentmihalyi defines flow as “a state in which people are so involved in an activity that nothing else seems to matter; the experience is so enjoyable that people will continue to do it even at great cost, for the sheer sake of doing it.” (Cskikszentmihalyi, 1990, p.4)

Allariz, Galicia, Spain

Again, I have experienced this state at work, most especially when I am involved in helping others cope with life; especially more recently where I have been called on to listen to the upset of a seventeen year old at his brother's hospitalization or of another's experience of depression. A more powerful experience of flow that I participated in (and I use these words deliberately as I felt that there was another power literally flowing through me) was that of visiting with a family who had been recently bereaved by a suicide of a young man of twenty - the essential topic of my last post here. My experience of being part of a flow of energy, of a higher power even, that I was somehow directing rather like a conductor of an orchestra was and is surely inspiring.  As I sat with that young man's friends and his family I knew I had to be there, felt drawn there, knew what I was about, could use all my organizing skills to their best to celebrate that young man's short life, to help support family and friends in their almost unspeakable grief.  Going with the flow is very empowering.  It does take courage but once you start the flow itself energizes you.

It would seem to me at this stage in my life's journey that (i) learning to search for meaning without obsession is a healthy thing to do.  Such a searching is something akin to, though not the same as, John Keat's famous concept of "negative capability" that he defined in his Letters as: that state of mind "when man is capable of being in uncertainties, Mysteries, doubts without any irritable reaching after fact and reason" (See Here) (ii) that being open to lessons from our own unconscious through dreams, visualizations, meditation exercises, yoga, singing, writing or art of all kinds  and (iii) going with flow are all valuable skills to learn so that we can begin to navigate the Ship of Self through the choppy seas of life if I may be permitted to use a somewhat extravagant though useful metaphor here.  One, of course, can use other descriptors for these suggested skills like soul, spirituality, Higher Power, Inspiration, God, Holy Spirit, Mysticism, Living in the "Now," and so on.  In the end, the language is a surface matter.  What really is important is the real-life experience of the energy of Flow.