Poems I Journey With 18

We turn to literature for many reasons: for comfort, for escapism, for entertainment, to give us insight into life, to educate us, to challenge us and so on and so forth. A turning point for this present reviewer was his discovery of the local library. I remember joining the branch at Charleville Mall in north inner city Dublin when I was seven years of age. It was then that my love of books, for knowledge and for literature in general began. To take out two different books every two weeks was a delight for me and a brief embrace with the wonders of knowledge and indeed of life itself. Umberto Eco has declared in one of his books that the main purpose of literature is to learn how to die.  In my opinion he only took into account one side of the story in that declaration as it is my contention, and indeed, that of many others, that the main purpose of literature is to learn how to live and how to die. Life and death are inextricably linked realities. Poems are in a sense a distillation of prose literature, an intense expression of what is said in a more expanded and expansive way therein.

Carol Ann Duffy

This evening I would like to present the readers with a poem from the pen of another wonderful woman poet, namely, Carol Ann Duffy.  As the Wiki succinctly puts it:  “Dame Carol Ann Duffy, DBE FRSL (1955) is a Scottish poet and playwright. She is Professor of Contemporary Poetry at Manchester Metropolitan University, and was appointed Britain's Poet Laureate in May 2009. She is the first woman, the first Scot, and the first openly LGBT person to hold the position.” See this link: Carol Ann Duffy

This poem works through a fairly standard technique or literary device called “personification,” where Duffy presents us with a feminine version of history, history as an old woman waking up in her bed and coming to realise all that has been done to her. Rather than saying anything more at this stage, let us read and reflect upon the poem:

History

She woke up old at last, alone,
bones in a bed, not a tooth
in her head, half dead, shuffled
and limped downstairs
in the rag of her nightdress,
smelling of pee.

Slurped tea, stared
at her hand - twigs, stained gloves - 
wheezed and coughed, pulled on
the coat that hung from a hook
on the door, lay on the sofa,
dozed, snored.

She was History.
She'd seen them ease him down
from the Cross, his mother gasping
for breath, as though his death
was a difficult birth, the soldiers spitting,
spears in the earth;

been there
when the fisherman swore he was back
from the dead; seen the basilicas rise
in Jerusalem, Constantinople, Sicily; watched
for a hundred years as the air of Rome
turned into stone;

witnessed the wars,
the bloody crusades, knew them by date
and by name, Bannockburn, Passchendaele,
Babi Yar, Vietnam. She'd heard the last words
of the martyrs burnt at the stake, the murderers
hung by the neck,

seen up-close
how the saint whistled and spat in the flames,
how the dictator strutting and stuttering film
blew out his brains, how the children waved 
their little hands from the trains. She woke again,
cold, in the dark,

in the empty house.
Bricks through the window now, thieves
in the night. When they rang on her bell
there was nobody there; fresh graffiti sprayed
on her door, shit wrapped in a newspaper posted
onto the floor. 

Carol Ann Duffy

Carol Ann Duffy covers some 2000 years of history since the birth of Jesus Christ in this poem and comments on how history, personified as a woman, might feel given the drastic changes that have occurred over those two millennia.  This personification is an effective conceit to get us thinking. The one problem I have with this poem is that perhaps the period covered in too broad a canvas that thereby renders the conceit somewhat too simplistic and consequently somewhat less than effective as a literary device here.  However, the message of the poem is clear:- we humans have really messed up and messed up very badly indeed.

Poems I Journey With 5

There are no fights as bitter as those between members of the one family, and indeed no wars as bloody as those between citizens of the one country. Somehow we learn to hate more easily and more deeply those we are supposed to love the most.  With respect to the poem I am going to discuss in these thoughts today - "Tichborne's Elegy" -  I wish to paint in the historical background here firstly.

In the history of the royal families of England & Scotland there have been many gory intrigues and many bloody plots.  One of those was the Babington plot, which occurred in 1586, whose purpose was the assassination of Queen Elizabeth 1, a Protestant with the intention of replacing her on the English throne with the rescued Mary, Queen of Scots, (aka Queen Mary Stuart of Scotland) her Roman Catholic cousin who had been imprisoned for 18 years since 1568 in England.  Indeed, Mary had been incarcerated at the behest of her cousin Elizabeth 1 who feared for her throne. The discovery of this plot would lead eventually to the execution of Mary Stuart as one of her letters to one of the plotters revealed that she had consented directly to the assassination of Elizabeth 1.

Now, the long-term goal of the Babington plot was the invasion of England by the Spanish forces of King Philip II of Spain and the Catholic League in France and therefrom the restoration of the old religion.  However, Elizabeth's notorious spymaster, one Sir Francis Walsingham discovered this plot, and he deviously used his discovery for the entrapment of Mary with the direct result that she would now forfeit any claims she might have on the English throne. The tragic Mary was beheaded at Fetherington Castle in 1587.  She was only 44 years of age.

The author of the poem I have chosen for today's entry in these pages is one Chidiock Tichborne who was born into a devout Catholic family in Southampton around 1558 and he was destined to become involved in our aforementioned Babington plot.  Like all Catholics, his life was to become increasingly difficult after Elizabeth 1 made the practice of the Roman Catholic Religion illegal, and he and his father, who had already spent time in prison, found themselves under constant surveillance by the Queen's spies.

Our poet author, Chidiock Tichborne joined the conspirators involved in the Babington plot which, as we have stated, sought to assassinate the Queen and supplant her with the Catholic Mary, Queen of Scots.  However, the plot was discovered and the conspirators all executed.  As far as we know Chidiock only wrote three poems, or at least only three of his poems survive the ravages of time.  His famous "Elegy" is by far the best of the three and I quote it in full hereunder.  The unfortunate poet enclosed this poem in a letter he sent to his wife Agnes from the Tower of London on the eve of his execution for treason.  Here is the poem and it is a masterful feat of poetry, replete with metaphors of an intensity that could only be forged in the mind of a talented and sensitive poet on the eve of his execution:

Tychbornes Elegie, written with his owne hand in the Tower before his execution

My prime of youth is but a frost of cares,
My feast of joy is but a dish of paine,
My Crop of corne is but a field of tares,
And al my good is but vaine hope of gaine.
The day is past, and yet I saw no sunne,
And now I live, and now my life is done.

My tale was heard, and yet it was not told,
My fruite is falne [fallen], & yet my leaves are greene:
My youth is spent, and yet I am not old,
I saw the world, and yet I was not seene.
My thred is cut, and yet it is not spunne,
And now I live, and now my life is done.

I sought my death, and found it in my wombe,
I lookt for life, and saw it was a shade:
I trod the earth, and knew it was my Tombe,
And now I die, and now I was but made.
My glasse is full, and now my glasse is runne,
And now I live, and now my life is done.

Portrait of Chidiock Tichborne

On reading this poem one is immediately struck by its sheer authenticity and depth, two factors no doubt influenced by a mind concentrated on its imminent demise.  Indeed, the biographical and background information given also adds to the popularity of this much anthologized poem which I remember studying many years ago at college.  The images are literally forged from a wonderfully sensitive mind under the sentence of death.  We are aware that this man is speaking directly to us as he was then also directly speaking to the love of his life, her dear wife Agnes.  Every line contains an antithesis, a polar opposite, a sheer paradox.  These antithetical statements are woven into paradoxes that cut to the heart of the mystery that all human life faces us with - namely its ending in insuperable death. Again, for a moment just reflect on these antitheses in the first stanza:

My prime of youth is but a frost of cares,
My feast of joy is but a dish of paine,
My Crop of corne is but a field of tares,
And al my good is but vaine hope of gaine.
The day is past, and yet I saw no sunne,

And now I live, and now my life is done.

One can easily list these antithetical words/images in the first stanza thus: youth/cares, joy/paine, corne/tares, good/vain hope, day/no sunne and live/is done and we may continue so to list them rather easily right on through the next two stanzas.  I'll leave it to you, good reader, to do so if you wish.

In short, for this reader, this is a profound poem which plumbs the heights or the depths of our human predicament, the human condition where the theme of our mortality is a central one for all of us.  I have already acknowledged in these poetical reflections that all literature, and consequently and most essentially poetry, is concerned with the basic ultimate concern of death as outlined by Professor Irvin Yalom.  See Poems I Journey With 1: Here.  

There is also an ingenious weaving of tenses together to suggest that time is a very complex entity as in: "And now I live, and now my life is done": In fact the poet repeats this line by three, once in each stanza at the end as a sort of paradoxical chorus that sums up our human predicament - our past and our future are somehow telescoped into the present "now" that is itself so elusive, one "now" that will be cut short by execution for our poet the following day.

If the reader gives voice to this poem by reading it aloud he or she will be greeted by the sheer drama of the declamation.  One becomes a Hamlet or a Macbeth or an Othello or a Lear on the stage of one's own life.  Indeed, one can imagine any one of these tragic heroes giving voice to Chidiock's moving and dramatic words.  We are, as it were, presented with the dance of life with death in thes3 dramatic and moving words.  What more quintessentially human drama could we be granted to behold upon a stage?  Tichborne was only 28 when he wrote these words and "shuffled off his mortal coil" so tragically.  Obviously these words brought the poor man some comfort as he faced his leaving of this painful world.

Queen Elizabeth 1

For sheer mastery of the English language, for poetry of such high and refined emotion, for dexterity of phrase and the forging power of metaphor I know no poet better than the tragic Chidiock Tichborne.  His poem is a masterly composition where time shifts all too quickly and all too mysteriously, and if time could only shift such that we might meet him, I believe we should encounter a wonderfully sensitive individual.

Carol Rumens

Monday 26 November 2012 10.26 GMTLast modified on Tuesday 4 December 201206.23 GMT

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Journal of a Soul 26

Order versus Disorder

Clouds over Baldoyle recently

Somewhere, sometime, long ago at the dawn of consciousness, which, I should imagine, roughly corresponded to the emergence of civilisation around the great rivers of the world from Mesopotamia to Egypt to China and so forth, there was a first great push for order among humans.  Humankind had begun to order itself, to create systems to help itself better survive in a hostile world.  Together, human beings could create and invent ever easier and better ways of surviving.  And so, progress was now possible with these first steps of co-operation. And so, indeed, prehistory gave way to history as civilisation after civilisation sought to record all their efforts at self-betterment, both successful and unsuccessful.

And today, we are the rich inheritors of multifarious cultures and we possess a sheer abundance of ever-expanding knowledge which has its foundations in those early cultures we described above.  Having been born in a relatively poor and young nation, namely Ireland, in 1958, I was, like my contemporaries exposed to very little new knowledge as it were – most of it was then contained in the written media and in the school books from which we learned our traditional school subjects. I recall well the arrival of the first television set into our little town of Roscrea, Co Tipperary in 1962 when I was only four years old. The National Television Service, RTE, was founded on January 1 that year.

And so as I grew up, the world became simultaneously and paradoxically both larger and smaller.  Larger, insofar as we would gradually come of age by learning through the medium of the TV how bigger and richer nations lived.  We would also desire the goods they had and to do the activities they engaged in.  We would want to travel more and experience and learn at firsthand what it was like to live elsewhere.  It became a smaller world, too, insofar as we are now beneficiaries of what Alvin Toffler long ago so aptly described as “the acceleration of change” in the early 1970s – so much so, indeed, that we can now call up any amount of relevant (and irrelevant) information at our fingertips through modern technologies such as smart phones and i-pads etc.

Obsessed with Information and with organising it

The Public Library, Baldoyle

In short, we are still obsessed with information – indeed, we might truly describe it as information overload – and we are equally obsessed with ordering that information into all its relevant categories and classes, subcategories and subclasses.  The web of knowledge gets evermore intricate as the world seemingly progresses.  Note the adverb here, as human progress is surely a matter of philosophical importance, and questions can indeed be raised as to what exactly progress consists in – thoughts for another post there, I should think. The internationally famous contemporary British professor of philosophy, A.C. Grayling puts it thus, and many are wont to agree with the learned professor:

“The development of science and technology shows us that, as a species, we have grown clever; their misuse for war and oppression shows us that we have not yet grown wise.  Moral heroism is required for us to teach ourselves wisdom” (The Choice of Hercules, Phoenix, Orion: London, 2007, p.68)

Disorder breaks in

If you own a property you will realise how much maintenance is required and much if not all of it on-going.  Things naturally break down – The Second Law of Thermodynamics and all that.  As soon as a house is unlived in, nature begins to have its way all too quickly with grasses and weeds growing from every available crack and crevice.  In other words, we have to constantly labour to bring about order, and also to keep order in place lest it suddenly descend into disorder and chaos.

Meditation as a Coping Strategy

I remember one of my acquaintances remarking many years ago that no one gets out of life alive.  In spite of all our individual efforts to keep order in our individual lives we grow old and die.  The existentialists were keenly aware of this patently obvious absurdity at the very heart of the human predicament: - the self-project which each individual sets out to accomplish will come to nothing in the dust of our death.  Admittedly, collectively as a culture we amass mounds of information, much art, buildings of great architectural value, languages, the intricacies of mathematics and sciences of all types as well as the more creative stuff of poetry, novels, drama and so forth.  And yet, as individuals we come to nought.  This was at the heart of Irish National Broadcaster, Marion Finucane’s interview with the dying writer Nuala O’Faoláin some two years back.  Nuala was heartbroken, she said, on learning that her death was imminent because all the order and shape she had built up in her individual life would now simply become nothing – all the facts she had learned, all the experiences she had gained, all the insights, the teeming brain, the languages, the literature, the writings, the music she so loved, the art, her three or so apartments, her wonderful friendships, her next writing task – all gone, forever, dissolved into nothing as her individual life, her little selfhood of her own creation, was snuffed inexorably out.  That, indeed, is the human dilemma, the existential condition under which we all live. 

And yet, meditation is only too aware of this. After all, it was Siddhartha Gautama’s (the Buddha) own lived dilemma, too, how to deal with suffering in all its manifestations – mental, spiritual and physical.  For him, the key was to learn to become detached from the concerns of life, to learn to get over clinging to either things or persons – in short, to learn acceptance and detachment.  This is the Buddhist philosophy of life, a way to live serenely and sanely in an all too frenetic and insane world.   

And so, what does living wisely mean? I argue that it means something along the following lines:

To learn that there are no easy answers to life’s big questions and that  those who propose such easy answers are singularly unwise, misled and misleading.

Sometimes we have to learn to accept events in life that we can never ever understand.  Acceptance, of course, here is never blind acceptance which is sheer fatalism.  By acceptance here, I mean that graced place of equanimity where one arrives spiritually, having worked hard at either solving the problem at hand, looking for help from as many quarters as possible, seeking advice, doing one’s best to come up with some partial solution and so on.  There is little or nothing more one can do against the inevitable at that stage.  Hence, acceptance is a wise position because one has expended all the necessary energy and a further expending is nothing short of wasteful and useless.

Knowing one’s strengths and limitations, and playing life’s game in that knowledge.

Forming good relationships and working at them like a gardener cultivates his patch of ground.

Learning the limits of human knowledge.

Being humble in a Socratic way – the admission of ignorance can be the beginning of knowledge and wisdom.

Learning things by doing – the practical knowledge or wisdom (phronesis) advocated by Aristotle.

Learning through meditation to accept whatever order there is in chaos.

Doing things slowly, mindfully and consequently well.

Perfection does not exist – it is an unobtainable ideal.  Everything has slight imperfections somewhere.  Excellence is a different matter.  To excel at something need not mean being perfect at it.  The nearest description I found for “perfection” was in the Bible where one translation described it as being “whole” or complete.

Finally, one must learn the harsh truth of all existence, namely that life is not fair, and by all the logic of statistics could never be.  Mostly, life is a matter of sheer randomness and luck.  How, when, where, to whom and in what medical and monetary circumstances we are born are all matters of varying circumstances.  We are dealt a specific hand of cards and we had better play them as best we can to our advantage if we are to engage positively at all with life!