Showing posts with label Music. Show all posts
Showing posts with label Music. Show all posts

Sunday, December 7, 2014

Journal of a Soul 69

Authenticity

Lighting a candle in St Stephen's Cathedral, Vienna, November 2014
If there is one word that appeals to me on my spiritual journey it is that of authenticity.  I associate it with the people who have had the most impact on my seemingly insignificant or significant life - depending on your perspective on things.   There are many synonyms for this word but the ones that capture its true sense for me are: genuineness, sense of being true to self, congruence, sincerity, "this is me, warts and all," the naked truth, the right thing for the right reason, integrity, openness, credibility, "walking the walk," true to one's word, true to the real self and trustworthiness.

Again, it is Shakespeare who gets to the heart of the matter for me, even if he does put his insightful words in the mouth of one of his more pedantic characters like Polonius in Hamlet: 

This above all: to thine own self be true,
And it must follow, as the night the day, 
Thou canst not then be false to any man.
Farewell, my blessing season this in thee!

(Act 1, Sc 3, ll. 78-82)

These are a father's words to his son who is leaving home, a father who wants his son to succeed in life.

Congruence:


In counselling and psychotherapy one often hears in conversation and reads in the relevant literature the word "congruence" as a synonym for "authenticity." Carl Ransom Rogers, one of the founders and main lights of the Humanistic School of Therapy believed that the congruence of the therapist with him or herself and with the client was the most important aspect of the therapy session. (It is also interesting to note that the Humanistic School of Psychotherapy prefers the term "client" to "patient" as the therapist is not like a Doctor or Expert with all the answers.  Rather he or she is a facilitator who helps the client grow in self-awareness.  People are congruent when they are not trying to appear to be anything other than who they actually are.  There is simple no pretense.  

Another word Rogers offers us for authenticity is genuineness. The quality of congruence is the most important attribute in counselling, according to this leader in Person-Centered Therapy (PCT).  This means that, unlike the psychodynamic therapist who generally maintains a 'blank screen' type of presence and reveals little of their own personality in therapy, the Rogerian is keen to allow the client to experience them as they really are. The therapist does not have a façade (like psychoanalysis), that is, the therapist's internal and external experiences are one and the same.  In short, the therapist is authentic.

Authenticity


Street Trader, not far from St Stephen's Cathedral, Vienna, November, 2014
Authenticity is also a much loved word in the field of existentialism.  The WIKI (See HERE ) states this philosophical connection thus: "In existentialism, authenticity is the degree to which one is true to one's own personality, spirit, or character, despite external pressures; the conscious self is seen as coming to terms with being in a material world and with encountering external forces, pressures and influences which are very different from, and other than, itself. A lack of authenticity is considered in existentialism to be bad faith." This last term was coined by one of the fathers of existentialism, Jean-Paul Sartre (1992, p. 87)* where he states that “... bad faith is a lie to oneself... The essence of the lie implies that the liar is in complete possession of the truth...” and further “... I must know the truth very exactly in order to conceal it more carefully and this not at two single moments... but in the unitary structure of a single project.” (ibid., p. 89)  

I noted with interest that Sartre had instanced jazz as a good example to illustrate the potency of authenticity as an act.  Having attended many poetry, literary and musical events over the years I have always been struck by the sheer honesty (another expression to communicate the reality of authenticity) of all these artists in the presentation of their work. That my late cousin Bernard Brophy (who died in May 2010, RIP) who was both a jazz musician as well as being steeped in the Irish musical tradition was such an authentic human being is also a very happy association in my mind at this moment as I write these words this evening.  

However, perhaps the greatest examples of authenticity are the ones we encounter on a daily basis, those good, honest and often unacknowledged great souls who are so true to themselves that their being in the world is pure grace and gift to the rest of us.

As I type these words, the Rehab People of the Year Awards (See HERE) are being presented on our main TV channel RTE 1 and all of those lovely people - heroes in the truest sense of the word, true givers no matter what the personal cost - are living examples of what it means to be true to oneself, to live by one's own lights, to accept the truth no matter what the personal consequences, to follow the narrow but liberating path of authenticity, and to follow that path because it is the only one that promises true peace of mind and real liberation.


*Sartre, J-P. (2009) Being and Nothingness.  New York, London: Washington Square Press.

Tuesday, September 10, 2013

Journal of a Soul 31

Beyond Debate III



Personal Experience



(i) Preliminary Remarks

It is hard to contradict or deny personal experience.  It is, moreover, more difficult still to do so when someone declares they have had a religious experience.  We literally have to take them at their word, or write them off as simply hallucinating. I'm sure we have all encountered sincere and rational individuals who are convinced that they have encountered the divine  or the transcendent in their lives.  There are many millions upon millions of people on this earth who have declared their witness to the truth of these experiences.  Such cannot be denied.  No matter what our debaters on the negative side of the debate say - like Dennett, Dawkins, Hitchens et al - there is no persuading these many millions that they are simply deluded. 

Firstly, let me declare the obvious truth of the observation that many individuals from the lunatic fringe are quite easily drawn to religions of all kinds.  Let us take this as a given. Indeed, I have known a certain few individuals who have manic depression (or more correctly bipolar disorder) and at least one of these individuals goes on a hyper-religious trip during his manic phase.  This is a given, but it is certainly and obviously NOT a valid argument against the truth of religion.

Secondly, let me declare the equally obvious truth that much harm in the form of wars, attempted genocide, torture and suffering of all kinds have been done in the name of religion and by individuals who claim to be firm believers in God.  Once again, this is a given.  And yet, logically it can never be adduced as an argument against religion per se.  Why?  Simply because the operative and significant phrase in the above sentence is "in the name of religion."  Who is at fault when a nation goes to war inspired by religion - the religion qua religion or the fallible fault-ridden human interpreters of that religion?  I would argue logically for the fault of the latter.  

Again, my favourite author on this topic is Fyodor Dostoevsky who, in his inspiring parable "The Grand Inquisitor" in his wonderful novel The Brothers Karamazov deals exactly with this persistent problem of the corruption of power within official religious circles.  Whether one accepts that religion is a sociological phenomenon that naturally grew up for societal needs from the earliest of times or that it is a divinely inspired organisation, one still has to grant that one is relying upon fallible human beings within that organisation.  Having spent some three years of my life within a Roman Catholic religious order in my younger years I can attest to (i) the existence of people who loved power  and who equally loved exercising it and who delighted in lording it over others.  It's the natural lust for power in all humans that comes to the fore in every organisation under the sun. However, I can also attest to (ii) much good done by many sincerely motivated and genuinely good people in the name of the vision which they attribute to their founder, to Jesus and to God ultimately. 

I am no sociologist, but an understanding of the sociological basis of all religions as well as the sociological understanding of organisations both need to be considered here, not just the abstract notions, considered or otherwise, of the negative side of the argument against religions and God as adduced by Hitchens, Dawkins, Dennett et al. 

(ii) A Higher Spiritual Power 

I know a certain few individuals who are recovering alcoholics and they have informed me that but for their trust in a higher spiritual power they would indeed be lost, if not dead. This belief in a higher power is an integral part of the twelve steps programme developed by that wonderful international organisation Alcoholics Anonymous.  Strangely, or maybe not so strangely after all, these twelve steps read like a spiritual/religious programme.  The first four principles or steps run:  

  1. We admitted we were powerless over alcohol - that our lives had become unmanageable.
  2. Came to believe that a Power greater than ourselves could restore us to  sanity.
  3. Made a decision to turn our will and our lives over to the care of God as we understood Him.
  4. Made a searching and fearless moral inventory of ourselves.  (See this link for the web page of the Irish branch of the AA and for more information on The Twelve Steps.) 
Now, the operative phrase I'd like to stress is the underscored one, "God as we understand Him" as it defines God in an absolutely non-denominational sense, or in an open or broad religious sense, leaving it to the individual to interpret who they believe that God to be in their own lives.  

Once again, let me stress here that these persons who have encountered their own demons through the struggle with alcohol, and indeed others through their fight with addictions of all kinds, are utterly convinced that they can do nothing from any of their own inner resources (which are at their lowest ebb, like a totally drained battery, if I may use a metaphor here.) Therefore, they insist that they have to rely on an outer or outward power which they might call God. Admittedly, space is left for the addicted to call that higher power an Energy Source if they do not wish to call it God as such.  

(iii) My Own Spiritual Experiences

I readily admit that I prefer the term "spiritual" to "religious", quite simply because religion has got such a bad press through the actions of so-called believers of all hues and due to the negative press given by the debaters on the negative side of the God-debate.  That I was a religious/spiritual boy goes without saying:  as a young lad I remember being transfixed by the beauty of the old Latin Mass with its Gregorian chant, smell of incense, and the whole aesthetics of that ceremony and others. Also much of the music associated with the traditional Roman Catholic Church is exquisite to say the least.  Each year I still attend the annual performance of Handel's wonderful Messiah and certainly I can attest as can anyone who attends or rather participates in that musical experience, that deep spiritual depths are touched in the human heart through its sheer beauty and overwhelming power.  

I have also had other experiences where I felt I was close to a primal Energy which somehow was sustaining me and indeed the world around me - an experience of God in nature.  I can still remember once when I was a young monk walking around the wonderfully wild and green grounds of our novitiate and experiencing a cloud-burst on a sunlit day. It was more experientially for me than a mere and thorough drenching.  It was, in fact, in a very real sense what is called in theology a theophany, or at least that is the way I remember describing it when I was later writing down the experience in my spiritual diary at the time. A theophany is the appearance of God through nature, or at least, through the power of nature, literally a showing or manifestation of the divine.  Indeed, James Joyce also adverted to such inspirational and transfixing moments as "epiphanies."  In other word we experience a profound spiritual depth in a through a physical occurrence. 

Another link I would make here is what the philosophers have described as "the experience of the sublime." Here is how the WIKI defines this specific notion, and I believe it is a wonderfully clear definition at that: 


Iaesthetics, the sublime (from the Latin sublīmis) is the quality of greatness, whether physical, moral, intellectual, metaphysical, aesthetic, spiritual or artistic. The term especially refers to a greatness beyond all possibility of calculation, measurement or imitation. (See Sublime )
As an erstwhile hill walker, I believe that we cannot not be captivated by the sheer beauty and power of nature.  Some of my friends have stood beside either Niagara or Victoria Falls and have been overcome by the sheer frightening and transfixing power and beauty of nature, by its sublimity. I have stood by the Cliffs of Moher here on the west coast of Ireland and have marvelled at their sheer power and beauty.  Then there is the Grand Canyon and many many other beautiful, awe-inspiring and powerfully overwhelming wonders of nature besides these few I have mentioned here. They have been written about widely and many have attested to their awe-inspiring power.  When people declare that they have been moved by a power beyond them, by a deep spiritual energy which is both within and beyond them at one and the same time, who are we to deny the validity of their experiences? Indeed, one can argue that such is a mere psychological or para-psychological experience and not a religious or spiritual experience of a sustaining God.  Atheists could certainly argue that.  However, there are atheists who, while denying the existence of God, readily admit that we humans have a spiritual dimension.  This latter point is one to which I shall return later in these notes here, but for the moment such a diversion is beyond our present purposes. 

What I simply want to underscore here is the validity and authenticity of religious or spiritual experiences no matter whether one can attribute such to a divine source or to a powerful energy beyond us.  To deny the testimony of our lived experiences and those of millions upon millions of believers over thousands of years and well as those of our own times is surely to deny the complexity of human nature and the role of powers beyond our limited ken.  It must surely also betray our pride or hubris in thinking that we know more than fallible creatures actually could ever possibly master.
  

Thursday, September 5, 2013

Journal of a Soul 29

Beyond Debate


Self writing in a notebook , Pisa Summer 2007
Debating is a skilled activity that allows the intellect to show its cutting edge, as it were.  It is, moreover, wonderful to witness when practised by those who know their subjects well.  It is even more thrilling, still, to behold one debater either totally demolishing the argument of another or, at least, painstakingly taking it apart and showing its inherent flaws.  As this is a blog with a spiritual/psychodynamic/psychotherapeutic thrust, I shall here confine my comments to matters of faith and reason with respect to the methodology of debate. Examples of debates that come to mind here are: (i) the famous debate on evolution at Oxford in 1860 between the scientist Thomas Henry Huxley (1825 - 1895; biologist and coiner of the term "agnosticism," his favored religious stance) and the great orator, Samuel Wilberforce (1805 - 1873), Bishop of Oxford and later of Winchester, and (ii) the wonderful debate between the late wonderful journalist, writer, atheist and polemicist, Christopher Hitchens (1949 - 2011) and the former British P.M. Tony Blair, Catholic and wonderful orator and politician. This latter debate may be accessed : HERE

However, debating is cerebral and cognitive and is mainly confined to linear argumentation, though debaters may, of course, present in a logical way the findings of their reflections on experiences - religious and spiritual - and on emotions in general.  They may even, and very often do, employ humour and respect for their opponents.  But, my argument here is that debate is a limited, albeit, at times, very sharp and precise, methodology of approaching knowledge and truth.  There is, so much more to what makes us human than arguing about our beliefs and stances in life.  Our beliefs, contrary to what Christopher Hitchens or Richard Dawkins or Daniel Dennett think, cannot be confined within the parameters of logical, cerebral or inferential debating.  In other words, I am here adumbrating what in fact the great nineteenth century theologian, John Henry Cardinal Newman (1801-1890) expressed succinctly in the following words: "Faith is not a deduction from premises" or as he also expressed it "faith is never inferential."  It is as much a matter of the heart as well as the head.  He was, in these remarks, of course, echoing the comments of the great French philosopher and mathematician Blaise Pascal (1623 -1662) who emphasised the following: "le coeur as ses raisons que la raison ne connait point." ("The heart has its reasons which reason can never know.")

More to Life than Logic  

St Peter's Square from the Cupola
As I write these lines here, I am listening to the wonderful debate and ensuing discussion to which I alluded above and to which I have given the link.  Yet I am still convinced that more is needed, and that the methodological structures of debate, argument and discussion, while effective, are nonetheless lacking is something.  It is to that lack that I wish to confine my musings here. These are my thoughts after some 55 years as a wee ant on this little minuscule anthill we call "earth"which is hurtling through infinite space.  So what I say is said in as humble a way as I possibly can.  I have no great reasons to give on either side of the debate like either Wilberforce or Huxley or Blair or Hitchens, though it is wonderful to listen to, to read and/or ponder the learned musings of these great erudite debaters.  No, rather, I wish to widen the debate in the following points.

(i) Debaters seem to forget that Religion is both a sociological and psychological phenomenon, not to mention an anthropological one, not essentially amenable to logical debate, though nonetheless may be expressed and eruditely explicated in reasonable terms.  Peoples have always been religious because it is a way, be it primitive or primal, but no less true or authentic for all that, of making sense of their lives as a community as they encounter the world in its entirety.  In coming up with how they make sense of the mystery they encounter in the world as a complete entity these peoples collectively came up in a natural manner over time with firstly the various primitive religions, animist and polytheistic, and then the major great monotheistic religions of the Abrahamic Faiths (Judaism, Christianity, Islam) and the more holistic, and perhaps more psychologically friendly religions of the East namely Hinduism and Buddhism.  

Religion as a sociological Phenomenon

(a) The contemporary Irish journalist John Waters, speaking of the few positive things one can attribute to the Roman Catholic Church, averred that it was exceptionally good at those ceremonial things associated with "hatching, matching and dispatching."  When I first read his words, I delighted not alone in his light rhyming humour but also in his sound appreciation for ritual.  The religious rituals he had in mind here, without doubt, are baptisms and christenings, marriage and funeral ceremonies respectively. Sociologically speaking, it is not a question of whether another life exists or not, or even whether it can be proved one way or another; it is rather a question of dealing with death as a human reality within a community context in as meaningful a way as possible.  Such ceremonies are ways of dealing with the phenomenon of death and they have naturally evolved over the years to help the bereaved family, friends and acquaintances deal with their emotions at a community and by implication at a personal level.  Rituals, no matter what religious faith they occur in offer a collectively and individually healing avenue to express and contain grief. Sociologically rituals have evolved to help us in that containment.  Even a humanist or atheist funeral service offers a similar emotional expression or containment.  Indeed, I have attended one humanist funeral recently and the ceremony, which studiously and purposely avoids any mention of God needless to say, was akin to a religious ceremony replete with readings and "minister."  It obviously had no overtly religious element like a mass or scripture readings, but it emphasised instead secular readings from books which the departed person loved and encouraged the bereaved by playing the dead man's favourite music.  There were also three tributes to the departed by his family and friends.  There was interestingly a period of quiet where people of all faiths, beliefs and no beliefs were asked to think of the departed man in silence.  Obviously, any believer could choose to pray to his God if he so wished at that time.

To Be Continued

Saturday, July 20, 2013

Journal of a Soul 28

My Eulogy for My Mother, Mary Quinlan, 1917 - 2013

Preamble

This short eulogy fits in here in this blog because it is very much written from the soul.  My brothers and I sat by her bedside from 05:30 until 00:05, that is for her last eighteen hours and thirty five minutes of earthly existence. She seemed to have "given up the ghost" when her breathing stopped at 22:05 on Monday 15th July. However, when the Doctor in attendance arrived she declared, having examined her, that she could not pronounce her dead as her heart was still strongly beating. In the end, she was declared dead at 00:05 on Tuesday16th July.  A deeply devout Catholic friend declared that he was in no way surprised at this, adding that my mother obviously wished to die on the Feast of Our Lady of Mount Carmel.  Now, as you will read in the tribute below, my mother had spent some15 years leading the Rosary in her local church which at that stage had been run by Carmelite priests - O. Carm.  If one is a Catholic believer one would call thing providence; if an agnostic, a coincidence, or a New Age believer a God-incidence.  Be that as it may, here follows my eulogy for my mother in full, together with a poem I wrote for her:

Mother’s Eulogy


1  Words of thanks must come first.  On behalf of the Quinlan family and the extended larger Brophy family I would like to take this opportunity to say a heart-felt “thank you” to all the medical, nursing, caring and ancillary staff in St Mary’s Hospital, Phoenix Park.  Anyone with any connection to that wonderful “home from home” will know the excellent standards of care and attention available there.  Mary was in four or five different wards during her long stay there, but her last port of call was Beibhinn Ward in Teach Cara where she spent three happy and content years.  To the wonderful staff of Beibhinn, thank you for your care and love for our mother – it was simply second to none.

2.  I would also like to thank Fr Gerry for his gentle, sensitive and prayerful handling of the whole funeral service.  Thanks, as well, to the choir for the lovely fitting music.


3.  I would also like to invite everyone, back to Parnell’s Club, now called The Chanel for a light meal.  My mother would have wished that her life would be fittingly celebrated with old memories and fun shared over a meal!

4.  Mary had a long and happy life of 96 years and three months.  While not an English scholar at all she liked to say that she was born on Shakespeare’s birthday, the 23 rd of April.  In her case the year was 1917.  If Mary’s life were a book it would contain three chapters:


5.  The First chapter would be entitled: “The Crumlin Years: Hard Work and Music.”  My mother was the second eldest of 12 siblings, and as the eldest girl she performed the role of mother to many of her younger brothers and sisters.  In those days much responsibility fell to the eldest girl in any family, more so in one so large.  A committed and diligent work regime was instilled into her from her earliest years, and caring was the core of her very existence from the beginning – this was never to change.  She was a wonderful home-keeper, organiser, cook, carer, dress-maker, knitter – all the usual skills and competencies associated with the traditional Irish woman of that era.  In hindsight she would have been imbued with all these values and skills by her own mother, Phoebe St Ledger, who was a convert from the Church of Ireland.  The Brophy home was a happy and caring home where Irish traditional Irish music was part of its very fabric with all the notables of traditional music, like Seamus Ennis visiting there because her father was a well-regarded exponent of the uilleann pipes and a marvellous reed maker.  I remember her telling me that when she was very young she and her siblings would follow my grandfather in line around the fields as he played the bag and chanter of his uilleann pipes.  This is chapter one, and it ends in 1954, I think, when all her siblings were reared and married and she herself married my father Thomas Quinlan.

6.  And so chapter 2 may be called “Roscrea and Dublin.”  In 1954 at the age of 36/7 she moved to Roscrea, the hometown of my father where we were all born.  Crises were never far away, but in her case they were all grist to the mill.  The first house was burned down, I believe, but luckily the alarm was raised and no harm done.  Then in the early sixties my father Tom got polio in the then countrywide polio epidemic. Luckily he came through that with just the loss of the use of one arm and was happily able to work for the rest of his life.  However, Mary never lamented any misfortune ever as troubles were simply something you dealt with, and never ever given into.  My father’s convalescence and his new work necessitated a move back to Dublin in 1964.  All these years, which were hard at times, were in general happy ones for her and her family.  Typical of her, she found herself a job to supplement the family income as the housekeeper for an old gentleman in Ballsbridge, which she continued with until she was a young 70.  Hard work was always part of her nature. Having retired, she became a daily mass-goer in this Church which became the hub of her daily existence as she proudly led the rosary here every morning for the last fifteen or so years of her active life, and during this time was a loyal member of the over-fifties group.

7.  Chapter 3 may be termed “The Long Good Bye.”  At 84, while still active, she had a mild stroke which unfortunately was the beginnings of dementia which she would live with for the last 12 and half years, with 11 or so of those spent in the care of the wonderful staff of St Mary’s hospital.  The first several years had their funny moments with Mary thinking the other patients were her brothers and sisters – indeed she called them by their names – and used to tuck them in at night before she went to bed herself.  However, dementia is no kind friend, and it diminishes the memory bit by inevitable bit, but thankfully she was always very happy in her surroundings and was constantly smiling, an ability she retained to the very end when speech was no longer possible.  She was able to smile for us before her passing.


8.  Her two most prominent characteristics were her gentleness and her total non-judgement of others.

9.  I’ll finish with a poem which may sum her up better than these above  more prosaic words:

A Poem for Mother

Your love was the shade of a tree on a scorching day,
A summer shower refreshing our parched clay,
A strong hand that lifted child from harm’s way,
Your face a sun that warmed our every day.

And yet not much was said
For all was done and every child was fed
And every plant was nurtured to its flower
As years rolled by beyond our power.

And now there are no words that we can say,
No rhymes to capture life’s decay,
The fall of leaf, the burden of dismay,
And yet there is a solace in the season’s turn:

Ripe fruit must fall to earth
To bring new life to birth

And so inevitable it must be,
The parting wave, the final smile, the stinging tear,
The mystery of the turn in every year.

And now we dwell in the comfort of your great love,
Your long life’s work, no task left undone –
Let us celebrate its length of years
And the joys that far outnumbered all our tears.

RIP, Mary and may the light of the heavens shine upon you!



Tuesday, April 9, 2013

Journal of a Soul 14

We identify people by their different characteristics: the contours of their body, the shape of their face, the colour of the hair or the sound of their voice or even of their laugh. Their selfhood or character is summoned up by the powerful blending of all these characteristics.  I wish to concentrate on only one of these qualities here, namely the last listed one - the sound of the human voice.

Some years back, I remember viewing a TV programme on those poor lost souls - the homeless or those of our number who live on our streets.  The most haunting thing about the whole programme was, in fact, a short recording of one of their number - some old tramp - singing a song or a hymn - I can't remember which at this point in time.  One heard snatches of this song judiciously placed at various emotionally moving points in the programme and at the end as the credits rolled.  Effectively, the voice of this anonymous tramp brought a tear to my eye, and, I'm sure, to many more viewers.

Arranmore lighthouse - July 2010
Some days ago I was teaching/helping/counselling a teenager who has been through some very rough times in his short life.  Another two students were due to attend this social education/personal development class but were absent on this occasion.  There were two other adults - a teacher and an SNA -  in the room.  I didn't wish to do anything too deep or too personal with the young teenager (16), but I knew he was a brilliant guitarist and singer who wrote some of his own songs.  I duly invited him to get a guitar from the music room and play some music for us.  What we ended up with was a 30 minute performance where the young man sang his heart/soul out literally through his music.  One song, he told us, was written for one of his best friends who had ended his own life, and the lyrics mentioned how this poor lost soul used cut himself with a knife.  We three adults were moved by the sound of the young man's voice, by the passion in it, by the soulful, tender and healing nature of the music.

How true it is, then, as the dramatist William Congrieve (1670 – 1729) declared that "Music has charms to soothe a savage breast."  This young man in my story has learned the lesson well that he can heal himself through his creativity.  It is one of the main contentions of  the  Existential School of Psychotherapy that all forms of creativity are avenues to healing the human soul.  The great American Existential therapist Rollo May always underscored this seminal point.

And so, as this young man sang his words, he weaved his musical magic which brought tears to other eyes.  Music in general, and the singing voice, which is also a wonderful instrument, are both means of great healing.

And as to what music may be, we are all at a loss to explain in the philosophical sense.  And yet, we know how real it is when we hear it and are emotionally and aesthetically moved by it.  And somewhere in its depths and heights, widths and breadths, we meet something powerfully healing and renewing.  It is something deeply connected with our true humanity.

Also, when people write poems or songs, they put a certain passion into what they compose and this passion is for a perceived beauty or value or truth which they have somehow apprehended, that "something understood" which the lyrical poet George Herbert (1593 - 1633) mentions as one of the results of the power of prayer.

There is also something natural and beautiful about good music, an inevitability of phrasing and sound in harmony with the heart and soul.  Like the first few posts in this particular blog, finishing with the soulful sound of a human voice may be the most appropriate way of ending this brief post. 

I'll put a link here to a group of lads called The Original Rudeboys as I taught one of their number and a brother of another of them.

Check out some others of their numbers, too.

Enjoy!

The Original Rude Boys

Tuesday, April 2, 2013

Journal of a Soul 10

Una Chiesa a Garace, una bellissima citta' in Calabria

We do like to fool ourselves into thinking that our words once written have some permanence.  Or at least we like to believe that they are somewhat more permanent when written down that when merely uttered.  The orator’s words may move us momentarily and then they just fade into the ether to be shortly forgotten.  A written encomium may be somewhat more permanent than its oral counterpart.  Or a snatch of a song that we hear or even sing is just that, a snatch of music that fades, even though somewhere in some musty drawer – or perhaps even in the corner of some virtual world - the sheet music exists.  Thoughts come and go like their close relatives called feelings.  Once again, they all fade into nothingness. 

These thoughts written here could have been penned by Qoheleth, that great wisdom teacher of the Old Testament, who kept repeating “Vanity of vanities, all is vanity.”  He was an existentialist before the word was invented.  For him, life was just a fleeting moment in the infinity of time, a mere nanosecond in terms of the duration of the universe.   When he saw humankind’s efforts to battle the inevitable constraints of life he just kept repeating the above sobering chorus: “Vanity of vanities, all is vanity.” 

And so, I resume this journal of a soul after some eight or so months. In the interim I have been involved in writing other words elsewhere.  Some few readers of this blog have asked me the reasons for the hiatus – well I just did not feel the need, given that I was writing elsewhere.  However, these present thoughts were provoked by the sheer contingency of life.  There is nothing as sobering as attending the funerals of friends and relatives.  Nothing. Even philosophers and theologians baulk before the maw of death.  The litany of recent bereavements runs: one friend’s son ended his life in his late twenties, two aunt’s “shuffled off this mortal coil,” one in her mid eighties and another in her late sixties, and then a colleague died from cancer after four excruciatingly painful years of suffering – and he some three years younger than the thinker or writer of these thoughts.  And that leaves us with the big questions – What is life at all? What could possibly be its meaning? And mortality, what can it teach us?

Mortality teaches us the value of life, literally the value of everything.  When you sit listening to a song sung by your favourite singer, the fact that he or she is mortal magnifies its significance to the nth degree.  Art is art because it is produced by mortal hands, sung by mortal voices, composed by mortal minds and is inspired by mortal imagination. Mortality gives value to the fleeting enterprise of human hands and minds.  The fact that Michelangelo or Goya or Leonardo da Vinci or more recently Francis Bacon is dead only adds to the value and significance of the work.

Then, when one reads about the silly attempts some humans make to prolong life beyond its reasonable limits, one wonders again about our significance, and not a little about the sanity of those who propose such an idea in the first place.  Cryogenics is surely based on mere wishful thinking and sheer shallowness of insight. That some poor fools among us might think we are that important in the scheme of things is surely the funniest and most pathetic joke possible at one and the same time.

It appears to the present writer of these marshalled thoughts that we must avoid two extremes – that of inflating our importance on the one hand and that of deflating our significance on the other.  We are the singers of songs, the composers of music, the writers of novels and poems, the creators of art in all its myriad forms and shapes, the builders of huge skyscrapers, bridges and roads that seek to shape our world to our needs.  We are the thinkers of thoughts, the possessors of feelings which we express as wonderfully and in a way that is as aesthetically pleasing as we can.  That we are dreamers of other worlds beyond our ken – mere pipe dreams or intimations of immortality none can tell – marks us out from our fellow animals.  And yet does it matter at all?  Does it really matter?  Perhaps the meaning lies solely in the poem written, in the song sung, in the story told, in the project done, in the sweat expended to bring it about.  Therein lies its value, made meaningful paradoxically by its sheer meaninglessness.  Perhaps the only meaning we can find in this life is the living of it to the fullest extent possible, and in making it as tolerable as we can for all those we love and, indeed, for every inhabitant of this little world spinning in the immensity of indifferent space.


Tuesday, June 12, 2012

Journal of a Soul 3

Introduction

We humans know more than we are conscious of, according to the late great Victorian Catholic theologian John Henry Cardinal Newman.  In other words, the rational is only one small part of the human mind.   There are also our emotions to consider.  Newman did not talk about the unconscious as such, because for him those unknown spaces in the human heart were in fact the seat of the Holy Ghost as they would have called the Third Person of the Blessed Trinity in those halcyon days.  This was the profound mystery of humanity and that of the human soul, the dwelling place of the Holy Spirit at the very centre of human life.  All Christians believe in this doctrine: viz., the Indwelling of the Holy Spirit.If you are not a Christian in the strict Church-going sense, but belong to those who are pilgrims on a more humanist journey through life, you can still be open to the fact that the above doctrine is a wonderful metaphor for the mystery that is at the heart of the human person.

These posts in this new blog will not be discursive or academic in any sense. Rather, they are going to be journal entries recounting my journey in search of Self.  In this case they will be spiritual in the broadest sense of the meaning of that word.  My understanding of "spiritual" is the innate ability within us to connect both with the mystery within us and with the mystery outside of us, both in others and in all the world in general.  In that sense, I mean also our innate ability to tap into the source of life - whatever that may be - some call it God, others a Benign Energy at the heart of the universe, others Order, and others still the impersonal inner drive of the universe towards a more perfectly evolved manifestation of itself.  Now, these posts, being essentially existentialist (if the reader will excuse the juxtaposition of two seemingly contrary words) my aim is to be personalist in tendency and to desist from any polemics here at all.  In these pages, no pure philosophy or theology or science of any description will be found.  In short these posts will be, in the words of the wonderful Pope John XXIII, "The Journal of a Soul."

The Music of the Soul

Ever since I was a young boy I can remember my teachers always telling us that "Music has Charms to sooth a savage Breast," and lines of poems that I like have a tendency to stay with me always.  On checking, I find that these lines come from the pen of William Congreve (1670 – 1729) who was an English playwright and poet.  On perusing the provenance of the lines, I further find that they are the opening words of a play called The Mourning Bride (1697) and are well worth quoting here:

Musick has Charms to sooth a savage Breast,
To soften Rocks, or bend a knotted Oak.
I've read, that things inanimate have mov'd,
And, as with living Souls, have been inform'd,
By Magick Numbers and persuasive Sound.
What then am I? Am I more senseless grown
Than Trees, or Flint? O force of constant Woe!
'Tis not in Harmony to calm my Griefs.
Anselmo sleeps, and is at Peace; last Night
The silent Tomb receiv'd the good Old King;
He and his Sorrows now are safely lodg'd
Within its cold, but hospitable Bosom.
Why am not I at Peace?

As you will have realised after reading the above there is much profundity in these lines.  The question: "What then am I? Am I more senseless grown//Than Trees, or Flint?" even when taken totally out of context as I am doing here, is so relevant to every human being.  We, too, even though unbenighted by grief as the bride is here, can ask what it is actually to be, to exist at all?  We can also ask the last question here, too - "Why am not I at Peace?"  A teacher-friend of mine, long since retired, always said wisely that in the end we have to live with ourselves.  There is much wisdom in this saying.

As I journey on the road - in via - to self-knowledge, nay, further, to self-acceptance, there is much truth in his observation.  As I exist in my world, I find that I am a being with a moral centre, too.  How am I to act in this, that or the other situation in which I find myself from one hour to the next as I journey through life.  What is the moral self?  This is also a question worth asking, if I am to live with myself with any degree of equanimity and peace of mind.  As I pursue these reflections hopefully I'll come up with some existential answers to these questions.  Quite clearly at this juncture I have nothing further to say about this moral self.  These are not academic or polemic posts and so they will be solely the result of my reflections and meditations a personal discernment.

And, in that journey to self-acceptance music has helped me greatly.  Returning to my opening lines in today's post, I believe the power of music is such that, although at times it may be combined with verbalization as we find in song lyrics, there is much in music that hits us at an unconscious level, at levels of being far deeper that we are cognitively aware of.  As we listen on and as we note our reactions with ever more trained an ear we will become more aware of these hidden depths.  There will be deeper stirrings of our being which may even bring a tear to our eyes as well as balm to a tired spirit.  I am not at all a music cogniscento and know little except that which stirs my soul.  I will finish this post with two versions of one of my favourite songs - Hallelujah by Leonard Cohen (the composer) and the late great Jeff Buckley.  Both these renditions rock me to the foundations of my being.







Journal of a Soul 2

Intense was the word that a good friend used to describe me when I was in my early twenties.  He added that he meant absolutely no criticism by that description.  Nor indeed did I take it as such.  And other synonyms for intense are passionate, powerful, profound, forceful, heartfelt and concentrated.  I'd still accept any of those adjectives as descriptive of my way of being in the world.

Having recently read much philosophy from the early Greeks right through to the contemporary Charles Taylor I am still enthused with a passion for wonder, with a desire to embrace life in its fullest measure.  From my readings in philosophy and literature I find a singular lack of intensity and passion in the world in general. That's why we need our religions (in the spiritual manifestation, not in the power manifestation, of those entities, I hasten to add is what I have in mind here), our theatres, our cinemas, our traditions and our literatures, and especially our music.

In the psalms we read that  "Deep calls to deep at the sound of Your waterfalls; All Your breakers and Your waves have rolled over me." (Psalm 42:7; New American Standard Bible, 1995)  I remember these words clearly since the time I was a young novice in the Augustinian Order many years ago.  Deep calling onto deep always moved me to the very foundations of my being.  A I sat there in the early mornings in the cool and incense-laden oratory, season in and season out, I remember touching depths within me that I certainly had never plumbed before.  Some past pupils who, with their dad, are expert potholers come to mind.  What is it in the human heart that wishes to push its being deeper and ever deeper.  These past pupils are now doing just that, and doing it physically, literally crawling on their bellies down and further down and further down still into the bowels of the very earth.  As I sat there all those years ago I felt that I was spiritually doing what these lads do physically, except that I was crawling down, down, down into the caverns of the heart, or of the soul, or of the spirit, or indeed of the Self.  And yes, I am using all these words here synonymously even though I am aware that there are differences between their connotations in various areas of study.  But for my personal purposes here they refer to my deep sense of my own being. 

And so, in short I am moved to new depths always.  I rejoice that as I age I am able to go deeper and am able to bear more pressure.  It's rather like diving deeper, as the deeper you get the more the water presses down on you.  And so, again, as I sit here listening to the haunting voice of the great Canadian singer Neil Young singing Old Man and my eyes are filled with tears as he brings me deeper with his words:

Old man look at my life,
I'm a lot like you were.
Old man look at my life,
I'm a lot like you were.
Old man look at my life,
Twenty four
and there's so much more
Live alone in a paradise
That makes me think of two.

Or again listening to the late great and wonderful Irish Folk singer Liam Clancy weaves the same wondrous effect on my soul. Try listening to his rendition of Those Were The Days on YouTube here:

Or again listen to the late great Jacques Brel singing his powerful rendition of Amsterdam which you can view hereunder:




Or again, I dove much deeper still when viewing Des Bishop's tribute to his late father Mike, RIP, in tonight's documentary on RTE 2.  You can view this in three parts on YouTube here:



And so all of these things serve to carry me deeper and deeper into self.  Whatever Self may be it is to be found only by pushing oneself to the limit.  Des Bishop, Jacques Brel and Liam Clancy all push themselves to the limit because the self is a reality of the limits and of the horizons.  Again many other metaphors can come to mind here.  The Self is a reality of the extremes, that's why the human soul is wont to go on pilgrimage.  Look at all those great mountaineers who seek to climb the highest mountains.  Bring to mind all those explorers of yesteryear who sought out the very limits of the world.  Think of those astronauts who seek to explore the wonder of space.  Call to mind the English Captain Robert Falcon Scott and the Norwegian Roald Amundsen, explorers of polar regions both.  Nothing but the pursuit of self, the pursuit of identity could carry them up to and beyond the threshold or portal of death.