Showing posts with label Self-Therapy. Show all posts
Showing posts with label Self-Therapy. Show all posts

Wednesday, June 19, 2013

Journal of a Soul 21

The Elusive or Illusive Self.


There have always been sceptics in philosophy and, indeed, in all branches of knowledge.  We may trace scepticism back as far as the dawn of consciousness, I would suggest.  The most famous ancient sceptic was Sextus Empiricus (roughly 100 to 200 A.D.), the very English translation of whose surname would lead us to believe that he needed to be presented with the evidence of his senses to justify his believing anything.  Since the knowledge of reality, (whatever that is, though our common sense would have us assuredly accept the world and all its contents as such!) is always mediated by fallible bodily senses there is no way of proving things are one way or another.  This is in keeping with the Pyrrhonian School of Scepticism whose catch cry may be proclaimed simply thus: "No more this than that!" Such early scepticism worked as a sort of therapeutic apostasy which resulted in practice in a kind of docile acceptance of life in all its vicissitudes.  

Many other philosophers through the ages, of course, were very sceptical, and among these we may certainly number the classical Rationalists like Descartes, Arnauld, Spinoza and Leibniz and, indeed, the classical Empiricists like Locke, Hume and Voltaire to name several. 

However, setting the philosophical excursus of the opening paragraphs aside, we normally equate scepticism with general doubt, and more specifically with, say, the questioning of the existence of God.  Then, added to that, there has even been a scepticism as to whether the Self exists, never mind the questionable existence of a metaphysical Being called God.  Indeed, as we search for some self-identity or for some notion of selfhood in this journey we call human existence, we must face these thorny questions.    The more we journey onwards on this earthly pilgrimage (a glaringly religious but apt metaphor), the more we become dissatisfied with too simple, too pat or too trite an answer or answers.  Further, the more we travel onwards (or downwards or upwards, indeed - choose your own metaphor!) the more we come to realise that it must be left to the individual wayfarer to come up with his or her own authentic answer to the problems life throws at us to either comprehend or perhaps simply accept.

My title above uses two similarly sounding but different adjectives to describe the mystery of the Self, which I capitalise in a Jungian fashion here.  The Self is never a finished product.  Rather it is a project ever in the making; a project I take on to make or design or form like a potter with the clay (a Biblical image).  In that sense, it is elusive.  We simply cannot sum it up in precise words or say that it is a totally finished product. However, we know that as creators of a work of art (the Self in this case) we are very much totally involved in the project.  The second adjective "illusive," which I have used above in my title, I reject as being a descriptor of the noun "self" at all because this word means "not real, though seeming to be."  

The Self is very much a real phenomenon as any psychotherapist or psychiatrist will confirm for you if you need to go to such phenomenological or psychological lengths.  I mention the word "illusive" above and here solely because many great philosophers (most notably David Hume) and many scientists over the years have rejected the notion of Self completely and have adjudged it an illusion.  In this regard, the current writer was both drawn to and a little unnerved at the naive and somewhat arrogant certainty of the title of a recent book, written by a scholar and scientist, which runs: The Self Illusion: Why there is no “you” inside your head. [Hood, B (2012)] This book lies firmly in the tradition of scientism.  By scientism I mean the belief in the universal applicability of the scientific method and approach to all phenomena, including the human person, without exception.  It was the rise of scientism, as distinct from science per se that brought about what I term the eclipse of the phenomenon of the Self.

Who am I? Where did I come from?  Where am I going? are age-old questions and are as old as consciousness  is itself.  They are the first self-reflective questions which are the very hallmark of consciousness and belong to the term almost by definition.  As we go through our normal daytime routine we often ask ourselves as regards our fickle emotions, "Which is the real me?  Is the real me or true self the angry me, the selfish me, the happy me, the compassionate me, the helpful me, the moody me, the joyful me, the suffering me, the moaning me, the selfless me, the generous me, the mean me etc?"

The next few posts will be on that topic.  Where is the true Self at all.  

Tuesday, April 9, 2013

Journal of a Soul 14

We identify people by their different characteristics: the contours of their body, the shape of their face, the colour of the hair or the sound of their voice or even of their laugh. Their selfhood or character is summoned up by the powerful blending of all these characteristics.  I wish to concentrate on only one of these qualities here, namely the last listed one - the sound of the human voice.

Some years back, I remember viewing a TV programme on those poor lost souls - the homeless or those of our number who live on our streets.  The most haunting thing about the whole programme was, in fact, a short recording of one of their number - some old tramp - singing a song or a hymn - I can't remember which at this point in time.  One heard snatches of this song judiciously placed at various emotionally moving points in the programme and at the end as the credits rolled.  Effectively, the voice of this anonymous tramp brought a tear to my eye, and, I'm sure, to many more viewers.

Arranmore lighthouse - July 2010
Some days ago I was teaching/helping/counselling a teenager who has been through some very rough times in his short life.  Another two students were due to attend this social education/personal development class but were absent on this occasion.  There were two other adults - a teacher and an SNA -  in the room.  I didn't wish to do anything too deep or too personal with the young teenager (16), but I knew he was a brilliant guitarist and singer who wrote some of his own songs.  I duly invited him to get a guitar from the music room and play some music for us.  What we ended up with was a 30 minute performance where the young man sang his heart/soul out literally through his music.  One song, he told us, was written for one of his best friends who had ended his own life, and the lyrics mentioned how this poor lost soul used cut himself with a knife.  We three adults were moved by the sound of the young man's voice, by the passion in it, by the soulful, tender and healing nature of the music.

How true it is, then, as the dramatist William Congrieve (1670 – 1729) declared that "Music has charms to soothe a savage breast."  This young man in my story has learned the lesson well that he can heal himself through his creativity.  It is one of the main contentions of  the  Existential School of Psychotherapy that all forms of creativity are avenues to healing the human soul.  The great American Existential therapist Rollo May always underscored this seminal point.

And so, as this young man sang his words, he weaved his musical magic which brought tears to other eyes.  Music in general, and the singing voice, which is also a wonderful instrument, are both means of great healing.

And as to what music may be, we are all at a loss to explain in the philosophical sense.  And yet, we know how real it is when we hear it and are emotionally and aesthetically moved by it.  And somewhere in its depths and heights, widths and breadths, we meet something powerfully healing and renewing.  It is something deeply connected with our true humanity.

Also, when people write poems or songs, they put a certain passion into what they compose and this passion is for a perceived beauty or value or truth which they have somehow apprehended, that "something understood" which the lyrical poet George Herbert (1593 - 1633) mentions as one of the results of the power of prayer.

There is also something natural and beautiful about good music, an inevitability of phrasing and sound in harmony with the heart and soul.  Like the first few posts in this particular blog, finishing with the soulful sound of a human voice may be the most appropriate way of ending this brief post. 

I'll put a link here to a group of lads called The Original Rudeboys as I taught one of their number and a brother of another of them.

Check out some others of their numbers, too.

Enjoy!

The Original Rude Boys