Thoughts on the Tao Te Ching 27

Poem 27

A good traveler has no fixed plans

and is not intent upon arriving.
A good artist lets his intuition

lead him wherever it wants.

A good scientist has freed himself of concepts

and keeps his mind open to what is.

Thus the Master is available to all people
and doesn't reject anyone.

He is ready to use all situations

and doesn't waste anything.

This is called embodying the light.

What is a good man but a bad man's teacher?

What is a bad man but a good man's job?

If you don't understand this, you will get lost,

however intelligent you are.

It is the great secret.

Commentary

Skeleton of a coracle, Dingle Interpretative Centre - 

Another staple recommendation, indeed tenet, of anyone involved in the spiritual quest from whatever religious background is surely that the journey itself is more important than the destination. Today pilgrimage is becoming important once more as many people discover anew the spiritual quest through making a journey.  Accordingly, even here in Ireland, the Camino pilgrimage to Santiago or the town or Cathedral Church of St James in Catalonia, Spain. The physical journey is a solid outward sign or symbol of the inward journey of the self, or soul indeed.The greatest story of pilgrimage was perhaps written in verse by the famous Geoffrey Chaucer (1343 - 1400), the text of which most of us studied at some stage in our academic career, or at least read excerpts from.

We know these stories as The Canterbury Tales which Chaucer began working 0n from 1386 onwards. They recount, in verse mostly, the stories told by way of a friendly contest between a group of pilgrims as they travel together on a journey from London to Canterbury in order to visit the shrine of St Thomas Becket at Canterbury Cathedral.  The prize for the winner is simple indeed: a free meal at the Tabard Inn in Southwark.  Chaucer's take on the idea of pilgrimage is humorous, a tad raunchy in parts, but for all that very appreciative of the importance of pilgrimage in the social life of the people among whom he lived at the time. Many other books have recounted the importance of pilgrimage and have pointed  out that life is a journey in many senses: in the physical sense as we grow up and move from one phase to another in our lives and often travel about the world in so doing; in the psychological sense as we journey to get to know ourselves; in the spiritual sense as we seek to make sense and meaning of our lives in an often inimical world. John Bunyan's (1628–1688) Pilgrim's Progress (1678) is a good example of a more serious presentation of pilgrimage in the spiritual life from an evangelical Protestant point of view.  It is a wonderfully profound read written in the simplest and most direct of language.

Oceanic Tapesty Ionad an Bhlascaoid - Kerry

Again, the verses of the above poem are full of paradoxical writing.  Setting up oppositional points of view is a preferred method of our author, and indeed one of the methods mostly used by writers of spirituality or mystical theology in any tradition.  It is important, indeed, to plan out any journey we wish to undertake as well as we can, though it is often wonderful to take a few diversions on our way here and there along our path - diversions that make our travelling far more interesting.  However, our Taoist writer does not mean just doing that as he suggests that we have no fixed plans at all.  That advice is ridiculous in worldly terms, though not in a deeper spiritual sense.  Indeed, we can make the greatest of plans in our lives and then have them ruined totally by accident or by chance. These unexpected happenings, even tragedies, do befall us as we make our journey.  Perhaps, the author is getting at the truth of that as it unfolds in our lives, that is, by making his exaggerated demands on us so that we don't become too ambitious and ego-driven to the extent that we lose a healthy intuition about what really matters in life - loving and being loved by others and so on.

John Bunyan (1628 - 1688)

Inspiration and intuition are undoubtedly very important in art.  Of course, so is talent and hard work to achieve a certain mastery in it.  The hard work does pay off as the more the artist practises the more s/he is open to being inspired and being intuitive.  Our Taoist author sees the scientist as being open to inspiration and not being too tied down by traditional concepts.  Openness to the new is the order of imagination.

Likewise, the Master of meditation is open to everyone and in totally non-judgemental and accepts everyone as they are in an unprejudiced and unbiased fashion.  All situations he finds himself in is looked upon as "grist for the spiritual mill."  

In the final stanza of the above poem our Taoist writer shows that there is really very little difference between the good and the bad man in a sense as we all are made up of good points and bad points. The so-called good people just manage to control their baser instincts and more evil desires better than the so-called bad people do.  That reminds me of the old moral poem we learnt as children: "There is so much good in the worst of us// And so much bad in the best of us// that it hardly behooves any of us//To talk about the rest of us." (Edward Wallace Hoch)  And indeed, here we must agree vehemently with our Taoist poet that this piece of wisdom can guide us well through life: in our parenting of children, in our teaching of children, in our leadership of others: in short, in how we greet others as being as important as we ourselves are in the overall scheme of things.

Finally, as is my usual habit in ending these short posts on the Tao Te Ching, I invite the reader to go read slowly over the above poem and let whatever line, phrase or word offer itself to you as a possible mantra for a short five minute meditation.

Thoughts on the Tao Te Ching 11

Poem 11

We join spokes together in a wheel, 

but it is the centre hole

that makes the wagon move.

We shape clay into a pot,

but it is the emptiness inside

that holds whatever we want,

We hammer wood for a house,

but it is the inner space

that makes it livable.

We work with being,

but non-being is what we use.

Reflections:

Once again when it comes to the big questions of life, like the" why" of it, we are singularly at a loss, and are indeed left existentially in a chasm of doubt or in an abyss of mystery that can invite different responses according to our culture and our physical/mental make-up.  Some will respond by faith in a religious deity, others by an atheism that denies all possible design by a higher power and still others will declare their inability to be sure about what life is about at all - that position is known as agnosticism.  In between these three major options a myriad of other nuanced positions can be held.  None of us, as we grow older, will be satisfied with asking merely the "how" questions of science and digesting their rather dry bland answers alone.  We somehow desire and demand  a more appetizing and tastier meal of knowledge.  In this regard, we are in the company of the great Nobel Prize winner for Theoretical Physics, Richard Feynman who declared: "I would rather have questions that can't be answered than answers that can't be questioned!"  This statement appeals to me because it shows the thrust towards knowledge and truth which, I would argue, is at the centre of all good religious inquiry as well as that of the sciences.  I would also believe firmly in the contention of the great nineteenth century theologian and scholar, John Henry Newman, that no truth in any area of human exploration into knowledge can contradict another truth found in another area of such exploration: he declared that no truth can contradict another truth as such was axiomatic by very definition of truth in the first place.

And so we return to the paradoxes and the unity of opposites or of binaries or of polarities. I have spoken of this concept many times in the preceding posts. A partial list of such polarities would be:

• Light vs Dark
• Night vs day
• Clear vs Opaque
• Heavy vs Light
• Good vs Bad/Evil
• Rigid vs Flexible
• Emptiness vs Fullness

The poem above returns us once again to the image of the wheel which is a wonderful symbol for life which continues to persist and perdure in a cyclical sense.  The paradox at the heart of the first stanza of the above poem is worth repeating: "it is the centre hole that makes the wagon move."  This is obviously paradoxical.  I remember once, when attempting to write on the mystery of suffering as an undergraduate in philosophy and theology, coming across the image of a word carved in stone which sought to contend that the word itself exists for us in the emptiness carved from the stone.  I also remember finding an image of the word "evil" carved in stone in some book or other.  What these artists and authors were getting at is the Augustinian theory/theodicy that evil is simply a lack of the good that should be there in the first place: "MALUM EST PRIVATIO BONI."

In the second stanza above, we are presented with the image of the emptiness in the pot having the potential to hold the substance of its contents.  The potential of emptiness for fullness is also paradoxical and essentially mysterious, belonging to the sense of wonder which is the beginning of all philosophy and indeed of all knowledge.

And then we are faced with the final paradox that Being and non-Being are the major balance of opposites that we encounter in human existence.  That tension of polarities suffuses everything we do in life.  Life occurs somewhere somehow as the very energy that shoots between both those poles of Being (Life) and Death (Non-Being).  In a sense, to live is to die and mortality is central to what life essentially means.  I wrote more fully on this particular tension by way of reference to the Second Law of Thermodynamics HERE in this blog so I shan't run the risk of repeating myself ad nauseam. 

Meditating on non-being as well as being is important, and that's the reason why Buddhists place a lot of significance upon the student in search of enlightenment learning to meditate upon his/her dying and death.  Such a meditation is never in any way morose or depressing as it essentially liberates the meditator to more fully live in the "now" and to embrace the presence of his/her existence.

Conclusion: One again I invite the reader of these few words to re-read the above Taoist poem and to let a remembered word or phrase or line act as a mantra for a meditation session of say five or ten minutes.